Posts in Category: Photography

Boudoir Workshop

Have you always wanted to learn how to shoot intimate photos of women, and make them look beautiful? Here’s your chance to experience one of my boudoir photo sessions with a gorgeous model. You will learn how to interact with your model, how to pose them, and how to make the best of natural light, and modeling lights too. Take beautiful photos straight from the camera without relying on editing later! I am only limiting the class to 10 students, so sign up soon! The workshop will be featuring the beautiful Phiorella.

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Correct Print Sizes

Dear clients, please read your contracts and packages carefully, especially when you’ve paid a few thousand dollars for the professional to deliver products to you. So far, my most common complaint (even if only 3 times so far), is the apparent incorrect sized prints I provide the clients. Apparent, because the clients seem to read 8×10 inch prints, when it is written 8×12 inch on my package. I have clients demanding that I send them new images in the correct size. While I understand it seems to be a common consumer print size and most picture frames sold are 8×10, it is not the correct print size directly out of professional cameras. So here is a brief lesson on proper image ratios and why 8×12 is better for you.

I offer two print sizes in one package, 8×12 and 4×6. You can do the math, it’s the same ratio of 2:3. That means when you get the prints in either size, nothing is cropped and nothing is missing. You are getting everything you see. If you decide to get 8×10 photo, you have to crop 2 inches off, that’s 16.66% of the image you are losing, and it becomes a 4:5 ratio.

I will apologize in advance for all photographers who do not mentally think about a 4:5 ratio in their viewfinder while busy shooting a hectic wedding day. In the worst case scenario where you happen to buy an expensive custom frame that is in the incorrect ratio, I can always do some Photoshop magic and shrink the photo to fit a 4:5 ratio and reconstruct the missing edges with the clone tool. That is if you don’t start the message with an angry and demanding tone of voice telling me I owe you a completely new set of photos.

Summer!

What do you do when it’s scorching hot outside with unforgiving sun? Jump into the pool of course! Considering I don’t like the water nor do I know how to swim, I thought this would be the perfect opportunity to practice some outdoor flash techniques. Nothing advanced here except for two remote Canon Speedlites on each side, and one on-camera Speedlite, although more powerful studio strobes would have been easier. It’s great to have subjects who are so willing to endlessly jump into a pool of water on your command. Hope you enjoy the photos!


See No Evil, Speak No Evil

Meet Emily Wong, she is an amazing artist I had the pleasure of sharing a few college graphic design classes with. She is obsessed with drawing intricate hair, delicate lace, and lovely ladies. Her work below was featured on Nucleus, and I thought it would be an awesome tribute to imitate her art since I also love photographing intricate hair, delicate lace, and lovely ladies. Model: Kyla.

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Update on new Aputure Trigmaster Plus II 2.4G

For the past few years I’ve been using the Aputure Trigmaster Plus 2.4G wireless flash remote systems. They’ve been working very well with no radio interference or distance issues compared to my PocketWizard Plus II’s. If you read my review, the only issue I had with the TM’s was the channels changing whenever you moved the lightstand, compressing the transciever body, thus inadvertantly changing the channel. While this wasn’t an issue with modeling shoots, it was annoying for weddings. The wonderful guys at Aputure sent their newest transcievers for testing and so far they are definitely an improvement. Here are some shots of the new Trigmaster Plus II 2.4G.

Consumerism Destroying Art

Before the days where everyone could afford a professional DSLR and have access to cookie cutter portfolio websites, finding a wedding photographer was a local search, usually through word of mouth. It’s easy to see how saturated the internet is with aspiring wedding photographers, anyone with spare change can start up their own business and practice at friends’ weddings. The competition is fierce, the selection is overwhelming. We are in the age of smart digital shopping, the days of Fat Wallet turned to Groupons, getting the best value for your money, seeking discounts while expecting highest quality. This is good practice for mass produced products where it drives costs of products down due to demand, however, this is killing the art of photography, specifically wedding photography.

Back in the days when digital was only slowly taking over film, and internet portfolios were rare, wedding clients did not complain about not getting their money’s worth. Considering you get married once with one set of photos, how could you really know if someone could have done a better job, or even shot it differently? You accepted what you got. This is not to say you should accept low quality work even if you have nothing to compare it with, but also not to expect the entire wall found on your Pinterest to be in your album.

There was Google, and now there are massive wedding forums and Pinterest that showcase the world’s most beautiful wedding photos all in one convenient collection. As brides continue their research and soak in all these images contributed from thousands of photographers, they get more excited at the fantasy of what their wedding can and will look like if they just hire that “perfect” wedding photographer for the lowest possible cost. Brides will even go as far as sending a photographer images shot by someone else they would like said photographer to emulate. Offensive? Probably just a little.

In the bride’s defense, most of my clients are not like this. They have followed my work for years or have a personal connection with me just by looking at my work. They have not been saturated with fantasies. They accept reality and respect an artist’s personal vision. I am talking about the brides that try to be a smart shopper and think too logically. They want the photographers to be robots and artists at the same time. They want high quality portraits, artistic vision, unlimited group photos, a documentation of every face, and a customer-is-always-right mentality. You should see the typical photo-list that clients used to show me, it’s a joke how long it is. I personally don’t believe you can have it all.

If you want an artistic vision, an artist needs space and room to breathe, relaxed, and not feel the pressure to also include cookie cutter portraits. If you want full documentation of every guest, then hire a studio with 5 photographers and you’ll get 250 great passport photos. Do not expect a photographer to have the ability to switch on and off the artistic side to match your hectic wedding schedule. Your entire day will set the tone for a specific mood, and a photographer will inherently feed off of that mood. These brides do not treat photographers as artists, they have no feelings for people they paid to serve them on the most important day of the entire world. They are never “satisfied customers.” There is always something to complain about, and when they do, it’s a poopstorm. As a smart consumer, there is no excuse for a photographer who tried his or her best. Disregard the fact that this person was willing to spend 10 hours documenting your silly little day, and that he or she took some amazing photos, but maybe had difficulty with certain situations. Mind you, weddings are not an assembly line of the same product, it is a day of unlimited combinations of lighting, environmental, and personal factors that change how a photographer works. For a bride to nitpick what she sees as faults in her wedding photos and have the audacity to say her memories of the entire day is forever lost or ruined because one or two photos cannot be cropped to her liking, really says something about her character and how she treats her friends and others.

Finally to my point, brides, be realistic about the unique circumstances every wedding photographer has to approach on a weekly basis, and are trying their best to produce something they would be proud of. You cannot expect a 100% success rate on all of the images, and you have to accept each artist for their strengths and weaknesses. This is the human element. If you research a photographer, really get to know his or her work instead of congesting your mind with the “best images” from the internet. Art requires you to have an emotional attachment or a personal connection with the artist, not a checklist of requirements. In the end, you are only doing yourself a disservice to yourself if you love to find the faults in everything. If you appreciate the positive things in life, then you will cherish the moments captured by even the simple photographs.

Evacuated City

Two years in a row New York is being hit by a major storm caused by a hurricane, and this year’s Sandy will be a lot more devastating than Irene. The night before the storm, New York City forces public transportation shut downs and evacuations. While the weather is still relatively calm, the city is mostly dead with only a few souls roaming around. This was my perfect opportunity to capture empty streets of a city that “never sleeps”. I drove to some of the more well known spots, from Times Square, Columbus Circle, Apple Store, to Herald Square, Union Square and Meatpacking District.

Fern Lee

Meet Fern Lee, a talented professional wedding photographer from San Francisco I’ve had the pleasure of working with a few times. My clients always tell me how happy she is, and I couldn’t agree more. Her smile can make anybody’s day light up. A word of caution – she will most likely end up dancing at your wedding once the music starts, but just watch her and you will smile.

Generation Hipstergram

From my observation of what the new photo generation craps out their behind, it’s all about a happy-good-feeling-everyone-can-be-pretty look screaming, “look I’m from Brooklyn!” Some obligatory elements include fake large framed glasses, skinny jeans, back lighting, glare galore, massive bokeh, crushed dynamic range, cross processing, and drunken/tipsy postures. I agree the look is flattering for all, but kids born after the VCR digging vintage cameras and the film style boggles my mind. Perhaps I only like to look to the future, perhaps the kids want to relive the fading photos they’ve seen of their parents. Here is my tribute to you, oh eager hipster kids, may you continue to move back in time. Thank you Koo for being a great sport. Don’t forget to click the read more link.


Aputure Trigmaster Plus 2.4G Review

Here is my long over due review of a wireless flash trigger system I have been using for the past year. I was lucky to get in touch with Jesse from Aputure (yes, Chinese brand), and I was given samples of the Aputure Trigmaster Plus 2.4G transceivers for my Canon system to review. They work exactly like my previous Pocketwizard Plus II system, each device can perform either as a transmitter or receiver. The purpose of a wireless trigger system is to use off-camera flash for either a more flattering, natural, or even dramatic lighting – basically anything but on-board camera flash! The system allows for 1 or more flash, in my case I use up to 3 flashes.