This past weekend was supposed to be a great night for a meteor shower, so I took a late night drive up Palisades Parkway to 9W through Black Rock Forest in New York and stopped at a lookout. It was nearly pitch black with a hint of city lights in the distance. Unfortunately while I was busy setting up the camera and taking photos, I missed the few shooting stars that my friend witnessed.
The photos are all single exposures, taken with a Canon 16-35mm 2.8L on a full-frame body, 30 second exposures with a remote. The foreground was lit by the iPhone flash and the lens was manually focused. It’s a good idea to take multiple photos with slightly different focusing distances in case you misfocus the first photo.
She was a guest at the wedding, her fierce eyes pierced me like a harpoon and I could not escape her grasp. Every moment was spent trying to get another glimpse of her, maybe she noticed, hopefully not. Like a prey deathly afraid of it’s predator, I dare not approach her but always kept her in my peripheral sight. I escaped unscathed, yet gained nothing, or so I thought.
Days pass and I could not cease thinking about the beauty I’ve witnessed, and by request the bride gave me permission to reach out. Beyond expectations, she accepted my invitation. She risked following me into the unknown, and surfaced in love with the art we had created together. The harpoon remains embedded in me, I don’t want to be free. I wait for the day I am completely pulled aboard and share the same path.
Below you will see a composite from the evening photos. The main shot is the ambient light from the street. Other shots of Mila and the smoke were taken with a Canon Speedlite on a Quantum battery, triggered remotely by an Aputure Trigmaster (more reviews on the device in a future post). The camera is on a tripod while I hand held the flash at different angles pointing at Mila, and my assistant Tiffany would press the camera shutter on my command.
My favorite model, Mila is lit with two Canon 580 exII, triggered remotely, shot with a Canon 16-35mm and a 70-200mm. I metered the camera to expose the sky/clouds, and adjusted the flash power settings to lighten up the foreground. The image was desaturated using Hue/Saturation, while individually desaturating each color channel except for red and a little bit of yellow. A few Curves layers were added to create the mood.
Hover over the flash at the bottom to see the process.
I realized I never posted these two driving videos, both were recorded last year. The first drive was through Bear Mountain in my Z4 M Roadster. Unfortunately only one GoPro was in HD, and the one viewing my car was low-res. The second was a rental car driving down the Pacific Coast Highway from San Francisco to Los Angeles. I can’t wait till the weather warms up and I can make more polished videos with my new GoPro Hero HD.
Having the right accessories in your car changes your whole driving experience, which is why I am dedicating a whole post just to a phone car mount. I’ve seen many variations of universal phone mounts and brackets, some are universal and some are device specific. There are different mounting methods such as suction cups, vent mounts, dash mounts, and custom fits.